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Cecilia Villanueva (*1964)

Piano studies with Leticia Corral and Elizabeth Westerkamp. Numerous concerts as soloist in Argentina. Composition studies at the National University of La Plata with Mariano Etkin.

Second Prize in the Young Composers Competition 1988 sponsored by the National University of La Plata and the Catalonian Composers Association, Barcelona, Spain. Prize of the "WDR Forum Junger Komponisten" 1989, sponsored by the Westdeutscher Rundfunk Köln, Germany. Prize of the International Composition Competition "Elizabeth Schneider" 2001, Freiburg, Germany. Grantee 1989 and 1990 at the Summer Composition Workshop for Young Composers of the Camping Musical de Bariloche leaded by Gerardo Gandini, Bariloche, Argentina. Granted by the Goethe Institut Buenos Aires for the Composition Seminar with Nicolaus A. Huber organized by the Goethe Institut Montevideo, Uruguay, June 1993. Grantee for 1994/95 at the Akademie Schloss Solitude, Stuttgart. Grantee for 1996 at Künstlerhof Schreyahn, Germany.
Commissions from the Freiburger Schlagzeug Ensemble 1995, Donaueschinger Musiktage 1996, Musik Biennale Berlin 1997, New Music Society of Hannover, Germany; commission from the Rümlingen Festival 1997 and 1999, Switzerland.

Her music has been played at major Festivals and Contemporary Music Series in Europe and Latin America, among others, Westdeutscher Rundfunk Forum Junger Komponisten, Köln 1989; Pro Musica Nova 1992, Bremen; VII and X Latinamerican Music Festival 1993/1998, Caracas, Venezuela; Ciclo de Abono de la Orquesta Filarmónica de Buenos Aires, Teatro Colón, Buenos Aires, 1993; Musiktriennale Köln 1994; ISCM World Music Days 1995 Germany; Musica Nova Series 1995, Leipzig; NovAntiqua Series 1996, Köln; Donaueschinger Musiktage 1996; Wien Modern Festival 1996; Musik Biennale Berlin, 1997; "Neue Musik Rümlingen" Festival, Switzerland, 1997 and 1999; "Sonidos de las Américas" Festival, New York, USA, 1998; "Frau Musica Nova" Festival, Köln, 1998; Forum Neue Musik, Frankfurt 1999; Young.euro.classic Festival, Berlin, 2001; Europäisches Musikmonat Basel 2001, Switzerland; 4° Latinamerican Composers Meeting, Belo Horizonte, Brazil, 2002.

During 1998 and 1999 gave a Composition Seminar at the University School of Music of Montevideo, Uruguay. Current Researcher on Musical Analysis and Assistant Professor of Composition at the National University of La Plata since 1994.

En el gris (1992)

La idea básica de la obra consiste en la complementación de los dos percusionistas en la elaboración de un material sonoro compartido. A partir del título se sugiere una analogía entre lo visual y lo sonoro dada por la permanencia en una monocromía básica -en el gris- con algunos planos iluminados de diferente manera. Estos planos emergen del contínuo sonoro que; permanece como fondo, a través del timbre y la intensidad.

mehr Informationen über Cecilia Villanueva: members.surfeu.de

 

 

 

 

 

 

 

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  von HYPERWERK 2002